If it doesn’t make you nervous, then you’re going to write the same thing you wrote before.” We sat down with him in June 2008 to talk about his own story and his accomplishments. That’s one of the things that appeals to me about stories, is if I’ve never done anything like it before. “Will it be? Yes, it will.” In shows like “West Side Story,” “Gypsy,” “A Funny Thing Happened on the Way to the Forum,” “Company,” “Follies,” “Sweeney Todd” and “Sunday in the Park With George,” which won the Pulitzer Prize in 1985, he created songs essential to the stories and changed the nature of the Broadway musical. “One of the first things you have to decide on with a musical is, why should there be songs? You can put songs in any story, but what I think you have to look for is, why are songs necessary to this story? If it’s unnecessary, then the show generally turns out to be not very good.” Composer and lyricist Stephen Sondheim was the most important figure in American musical theater of the last half-century. ![]() Transcript The Last Word: Stephen Sondheim In a never-before-seen interview, Stephen Sondheim sat down with The New York Times in June 2008 to talk about his life, career and accomplishments.
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